A brand new ebook uncovers a quiet revolution in stone and bronze, the rising variety of statues honouring exceptional girls throughout the capital
For hundreds of years, London’s cityscape has been formed by statues of male troopers, statesmen and monarchs. However that’s altering. As just lately as 2021, fewer than one in six of the capital’s public statues commemorated named girls. Since then, nevertheless, extra statues honouring girls have been unveiled than in all the second half of the twentieth century. In 2023, the stability tipped for the primary time, as extra girls than males have been commemorated in new statues.
The vary of honourees is inspiringly broad. From Amy Winehouse, to World Struggle II spy Noor Inayat Khan; from Nineteen Sixties style icon Twiggy, to the UK’s first feminine surgeon. Even Queen Elizabeth II solely obtained her first London statue in 2023. Pleasure Battick, the primary lady of color to have a statue within the capital, now has two—making her simply the second non-royal, after Virginia Woolf, to be honoured on this method.
These sculptures do greater than embellish the town, they reshape its story. Every lady depicted stands as an emblem of progress, resilience and creativity. And as their presence grows, so too does the promise of a extra inclusive public area the place each Londoner can see themselves mirrored.
In a new ebook, Juliet Rix discover this shift by way of a tour of the capital. Listed here are 5 of the writer’s favorite statues, and the highly effective tales behind them.
Pleasure Battick – Platforms Piece (1986) and Pleasure II (2023) by Kevin Atherton Brixton Railway Station, above Brixton Market.
The primary statue reveals a pensive 26-year-old Pleasure within the wake of the Brixton riots. The second, unveiled 36 years later, captures her as a smiling, heat 60-something. Put in throughout the platform from one another, the 2 Joys seem locked in a second of reflection throughout time and life expertise. When Atherton reconnected together with her in 2022, she was simply rising from breast most cancers remedy. Their reunion, and the second sculpture, introduced new which means to the phrase “immortalised.”
Elizabeth I – unknown sculptor, date unknown, both 1586 (for Ludgate’s Elizabethan renovation) or publish 1666 Nice Fireplace reconstruction. Church of St Dunstan-in-the-West, Fleet Road.

Elizabeth I – unknown sculptor, date unknown, both 1586 (for Ludgate’s Elizabethan renovation) or publish 1666 Nice Fireplace reconstruction Church of St Dunstan-in-the-West, Fleet Road. Picture: Rod Standing
London’s oldest surviving statue of a named lady is fittingly certainly one of its most resilient. Queen Elizabeth I, whose life was marked by political peril and private loss, dominated alone for 45 years in a world dominated by males. Her likeness, probably sculpted throughout her lifetime, as soon as stood above Ludgate, one of many Metropolis of London’s historic gateways. It survived the Nice Fireplace and was salvaged from a pub basement in 1839.
The statue was restored and reinstalled in 1928, unveiled by suffragist chief Millicent Fawcett within the very month that ladies lastly gained equal voting rights. A lifelong admirer of Elizabeth, Fawcett left £70 in her will to make sure the statue’s repairs.
Millicent Fawcett – by Gillian Carrying, 2018. Parliament Sq..
It took one other century, however Fawcett herself ultimately took her place in Parliament Sq., the primary lady to take action alone. Her statue faces immediately towards the Home of Commons, the place she fought tirelessly for girls’s suffrage by way of peaceable, authorized means. Whereas her extra militant counterpart, Emmeline Pankhurst, was honoured with a statue in 1930 within the gardens subsequent to the Home of Lords, Fawcett’s quieter however no much less efficient legacy was lastly recognised in bronze in 2018.
Lady with a Dolphin – by David Wynne, 1973. North finish of Tower Bridge (east aspect of the street by the Thames).

Fifty years after its unveiling, it emerged the girl on this sculpture was Virginia Wade, the famously reserved tennis champion and the final British lady to win Wimbledon. Picture: Juliet Rix
This joyful sculpture of a girl diving towards a dolphin radiates freedom and lightness. Regardless of its title, that is clearly a girl – not a lady – and the identification of the mannequin remained a thriller for many years. Fifty years after its unveiling, the key got here out: it was none aside from Virginia Wade, the famously reserved tennis champion and the final British lady to win Wimbledon, who turned 80 in July.
Ada Lovelace – by Mary & Etienne Millner, 2022. Millbank Quarter, Horseferry Highway, Westminster.

A pioneer of computing earlier than computer systems even existed, Ada Lovelace described her groundbreaking work as ‘poetical science’. Picture: Rod Standing
A pioneer of computing earlier than computer systems even existed, Ada Lovelace described her groundbreaking work as “poetical science.” Collaborating with Charles Babbage on his early mechanical pc, she was dubbed “the enchantress of numbers.” Lovelace’s bronze likeness stands backed by gilded punch playing cards, honouring her legacy within the digital age.
Daughter of the infamous Lord Byron, Ada was no stranger to controversy herself. Her life and legacy at the moment are celebrated every October on Ada Lovelace Day, which honours girls in STEM (Science, Expertise, Engineering and Maths). Her statue is a welcome and long-overdue addition to London’s streets.
Foremost picture: Juliet Rix
London’s Statues of Ladies by Juliet Rix is in the stores right here
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